Essays On Theatre Of The Absurd

Samuel Beckett, in Waiting for Godot, and Ionesco, in The Bald Prima Donna, both embody the values associated with "Theatre of the Absurd". This is achieved through their use of language, characterisation, and stage direction in order to portray the universe as being arbitrary and meaningless. By using techniques such as false syllogism, repetition and disjointed dialogue, Beckett and Ionesco manage to convey the Absurdist ideals of a random universe and dislocation, depicting life as purposeless and human beings as inexplicable. This is further demonstrated by features which are common to both works, such as a lack of plot and lack of character development. These features combine to reflect the values associated with this genre of literature.

Works from the "Theatre of the Absurd" genre tended to portray the universe as arbitrary and meaningless. This is seen through Beckett's tendency to reduce reality to simple, paradoxical situations which seem to lack any final explanation. One example of this is the problem of Godot's arrival. Perhaps he will finally arrive...but then again, perhaps he will not. Godot's arrival seems to be very much left to chance. This is a reflection of the Absurdist...

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The "moving wall" represents the time period between the last issue available in JSTOR and the most recently published issue of a journal. Moving walls are generally represented in years. In rare instances, a publisher has elected to have a "zero" moving wall, so their current issues are available in JSTOR shortly after publication.
Note: In calculating the moving wall, the current year is not counted.
For example, if the current year is 2008 and a journal has a 5 year moving wall, articles from the year 2002 are available.

Terms Related to the Moving Wall
Fixed walls: Journals with no new volumes being added to the archive.
Absorbed: Journals that are combined with another title.
Complete: Journals that are no longer published or that have been combined with another title.
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